To add to the point above: the physical clearance is usually the bigger bottleneck than the actual weight limit when you're rigging a cinema body like the C80. Tbh most people just look at the max payload but you really gotta check the arm length and motor torque. Since the C80 is a bit more 'tall' than a standard mirrorless, balancing the tilt axis can be a total pain on smaller gimbals. I'd suggest looking at the Zhiyun Crane 3S. It's a bit of a tank but it has a modular extension arm that is perfect for taller cinema rigs. It can handle up to 6.5kg which is overkill for the C80 body alone, but that extra headroom means the motors run cooler and you get smoother micro-movements. If you want something with great build quality, check out the Moza Air 2S. It has a 4.2kg capacity and the battery life is insane... basically lasts like 20 hours on a single charge. Here are a few features to prioritize for this specific camera:

• Tilted rear motor design so you can actually see the C80 screen
• Independent axis locks for easier balancing
• High-torque motors to handle the offset center of gravity Honestly, trying to balance a boxy camera without those features is a nightmare and makes the setup take way longer than it should.

> "I worry about the motors burning out if the balance is off just a tiny bit." Totally agree with this - I’m still basically a newbie with my C80 but I’ve been using it for a while now and that motor stress is realy something that keeps me up lol. If you're looking at other things besides the Crane, here’s what I’ve noticed from trying a few setups: - DJI RS 3 Pro: Honestly, even though people talk about the newer ones, this one is a total workhorse. Pros: You can find it on sale now and it's super reliable for heavy-ish stuff. Cons: Balancing the C80’s wider body can be a bit of a pain without a special side plate or something. - Feiyu Scorp Pro: I messed around with this one for a bit. Pros: It has that built-in handle thing which makes it way easier to carry the heavy camera things for a long time without your arms dying. Cons: The software feels a bit clunky compared to DJI, but it holds a lot of weight. Just make sure whatever you get, you leave some room in the budget for a good cage. It makes the balancing way less of a headache! Anyone else find the screen clearance weird on these?

Honestly, I'm still learning the ropes with cinema gear, but I'm always *super* cautious about putting expensive stuff on a gimbal. Tbh, I worry about the motors burning out if the balance is off just a tiny bit. If youre doing the setup yourself instead of having a pro tech handle the rigging, here are some things to think about for the C80: - Maybe check out the [[Zhiyun Crane 4]]. It has those balance indicator lights that turn green when youve got it right. Its pretty helpful if youre nervous about stressing the motors.
- You might need a specialized baseplate. Since the C80 is a bit "boxy," a DIY mounting solution or something like a [[SmallRig Baseplate for Canon]] might be needed to get the clearance right for the tilt axis. - Always do a "stress test" at home first. Move it around slowly and listen for motor noise. Its basically better to figure it out yourself in your living room than have it fail when it matters. Idk if that helps, but being extra safe with the weight is pretty much my main priority.

DJI RS 4 Pro is the best choice. https://www.bhphotovideo.com/c/search?Ntt=DJI+Stabilizer+Panasonic+Fujifilm+Transmitter&BI=8941&KBID=10361&SID=12345&DFF=d50

Finally someone says it. Ive been thinking this for a while but wasnt sure.

Bookmarked, thanks!

For the Canon EOS C80, consider gimbals like the DJI RS 4. It's designed for heavier setups and offers excellent stabilization. Prioritize payload capacity, battery life, and ease of balancing for optimal performance with the C80. You might also research similar professional-grade gimbals from brands like Ronin.