Just sharing my experience: so I went through this same exact headache last year when I got my Canon setup. Honestly, I spent WEEKS watching reviews because I didnt want to waste money on something that would just get in the way of that screen... it’s SO annoying how the mic jack is right there lol. Basically, I realized that for vlogging on a budget, simplicity is EVERYTHING. I tried a few setups and here is why I ended up with my current kit: * Mounting position: I found that using a SmallRig Cold Shoe Extension Plate for Canon EOS R7 R10 R50 moved the mic just enough to the side so the flip-out screen was totally clear. It’s a cheap fix but totally changed how I film.
* Wind protection: I went with the Rode VideoMicro II Ultra-compact On-camera Shotgun Microphone because the windshield design is super smart. Over the years I've realized that losing those separate foam covers is a massive hidden cost because they're surprisingly expensive to replace!
* No batteries: I used to use a powered mic but I ALWAYS forgot to turn it off, which basically ruined my footage. The plug-in power on the Deity V-Mic D4 Mini Mobile Shotgun Microphone is so much more reliable for me. In my experience, the RF preamps are actually pretty clean, so you dont need to spend $300 to get pro-level sound. I just wanted something light that wouldnt make my wrist hurt after an hour of walking around. I mean, the weight of the setup REALLY matters when youre holding it at arms length for ten minutes straight!! Hope that helps you figure it out. peace

Ok so, I feel u on the screen struggle. Honestly, the RF mount bodies like the Canon EOS R7 or Canon EOS R10 are great, but that flip-out screen makes mounting mics a total nightmare. I actually spent a bunch of money testing this exact setup. I initially went with the Deity V-Mic D4, but unfortunately, I had issues with the build quality. The shock mount felt super flimsy, and i found it actually picked up electronic interference from the camera AF motor, which was sooo frustrating. Not as good as expected for the price, tbh. I also tried the Rode VideoMicro II. It's a decent cardioid mic, but the lack of an internal wind shield means youre basically forced to use that massive furry deadcat even in light breezes, which is exactly what blocks your view of the screen... kinda defeats the purpose of a compact setup. Here's what I recommend: Go for the Sennheiser+MKE+200&linkCode=osi&tag=5422-20" target="_blank" rel="nofollow sponsored">Sennheiser MKE 200. It’s been my go-to for a year now. Technically, it’s superior because it has integrated wind protection and an internal shock mount. Basically, the capsule is suspended inside the housing. This keeps the profile tiny. It runs on plug-in power, so no batteries needed. The supercardioid pick-up pattern is really tight, which helps a lot with that echo u mentioned. TL;DR: The Sennheiser+MKE+200&linkCode=osi&tag=5422-20" target="_blank" rel="nofollow sponsored">Sennheiser MKE 200 is the winner. It is the most compact, avoids blocking the screen because of the internal mount, and the audio quality is much cleaner than the Rode or Deity options. cheers

Same here!

Building on the earlier suggestion, I actually have to disagree that it is as simple as just picking a budget mic and calling it a day. I have been dealing with this exact same issue for about three months now and honestly it is so frustrating. I am in the same boat as you and still cannot find a setup that does not block the screen or ruin the balance of my gear.

• Every compact option I have tried still gets in the way of the flip-out display.
• The audio performance outdoors is never quite where I want it to be.
• Balancing a top-heavy mic on the RF mount is a constant struggle. I am really happy with the camera itself, but this search for a compatible mic is just not going well. I am still looking for that perfect fit just like you.

I would suggest checking total mass; I found my current setup works best because it doesnt mess with the IBIS. Plus, the plug-in power draw is TINY so preamps stay pretty clean.

Can confirm

Building on the earlier suggestion, simplicity really is the move here. I have been using my RF setup for ages and learned the hard way that fancy features usually just mean more things can go wrong when you are in the middle of a shoot. If you are looking to save money without sacrificing too much quality, there are some solid budget picks that just work.

• Rode VideoMicro Compact On-Camera Microphone is the original for a reason, super reliable and I have dropped mine like five times without a scratch.
• Movo VXR10 Universal Video Microphone comes with a shock mount that actually holds up better than some of the pricey ones honestly. I usually tell people to start cheap and see if they actually need more. You might find these entry level ones are all you ever need tho... plus they are tiny so they wont block that flip screen or make the camera feel lopsided.

Works great for me