Ok so, I literally had the same issue when I started using my 6DII for video. The internal mic is basically useless for anything beyond a reference track cuz it picks up the autofocus motor so bad, especially if youre using older EF lenses. It's sooo annoying to get home and realize your audio is ruined by clicking sounds. In my experience, the key to avoiding that background hiss is getting a mic with its own gain control. You basically want to turn the camera’s internal manual gain wayyy down to like one or two clicks above zero and let the mic do the heavy lifting. Here's what I recommend: * Rode VideoMic Pro+ Shotgun Microphone * **Pros:** The +20dB boost is a lifesaver for Canon pre-amps. It also has an auto-power feature so it turns off when you shut down the camera—this saved my battery life so many times lol. * **Cons:** It can sometimes sit slightly over $200, but its realy worth the extra bit for the safety channel and build quality. * Deity V-Mic D3 Pro Shotgun Microphone * **Pros:** This one has a stepless analog gain knob on the back which is sooo helpful for fine-tuning on the fly. It's usually right around $199 and the sound is super crisp. * **Cons:** The internal battery is rechargeable only, so if it dies mid-shoot, youre kinda stuck unless you have a power bank handy. * Movo VXR10-PRO External Video Microphone * **Pros:** Much more budget-friendly and super compact for vlogging. It uses a Rycote Lyre shock mount which is highkey the best for stopping handling noise. * **Cons:** Doesn't have the same level of gain adjustment as the Rode, so you might still deal with a tiny bit of pre-amp hiss if you aren't careful. tbh, if you can find the Rode VideoMic Pro+ on sale, go for that. It’s been my go-to and definately makes the audio sound pro without the headache. Good luck with the vlogging! 👍

Nah, I am gonna have to disagree slightly with the on-camera approach. Even with a high-output mic, your still physically way too close to the glass and that motor noise will travel through the mount. Tbh, if you want truly clean audio, a DIY dual-system setup is the way to go for this camera.

• Use an external Zoom H1n Portable Recorder
• Clip on a Tascam TM-10B Lavalier Microphone
• Sync the tracks in post using a simple clap Basically, this bypasses the noisy internal pre-amps COMPLETELY. Its more work than just plugging in a mic, but the technical specs on an external recorder beat the 6DII internal processing every single time. It is a bit of a learning curve to sync everything, but for vlogging, having the mic closer to your mouth and away from the lens is a total game changer.

Can vouch for this

Honestly, +1 to what was said earlier. The 6DII internal mic is AWFUL for vlogging because of that motor whine. Before ur shopping, u gotta understand that the 6DII pre-amps are unfortunately quite noisy—I've had issues with them in the past. If you turn the in-camera gain up, u get that nasty hiss. Basically, u need a mic with a high output so the camera doesn't have to work as hard. I usually stick to these for reliability: * Rode VideoMic Pro+ Compact Directional On-camera Microphone - It has a +20dB boost. This is CRITICAL because it lets u keep the camera gain near zero.
* Sennheiser+MKE+400+On-camera+Shotgun+Microphone&linkCode=osi&tag=5422-20" target="_blank" rel="nofollow sponsored">Sennheiser MKE 400 On-camera Shotgun Microphone - Really solid outdoor performance and built-in wind protection. Seriously, just make sure ur levels are set manually. Never use auto-gain or it'll be a mess. gl!!

> basically, u need a mic with a high output so the camera doesn't have to work as hard Yeah, spot on. That boost is absolutely non-negotiable for the 6DII because the internal pre-amp noise floor is honestly pretty high. From a market research perspective, while most people default to the usual suspects, the industry landscape has shifted a ton lately. If you compare the technical specs side-by-side, the Sennheiser+MKE+400&linkCode=osi&tag=5422-20" target="_blank" rel="nofollow sponsored">Sennheiser MKE 400 is a massive contender right now. In terms of brand comparison, Sennheiser typically offers a flatter frequency response and superior off-axis rejection, which is basically what you need to isolate your voice when you are out vlogging. Quick tips for picking your gear:

• Focus on the Signal-to-Noise Ratio (SNR) specs; aim for anything above 78dB to keep that background hiss away.
• Look for a unit with a built-in low-cut filter to kill wind rumble before it even reaches the 6DII pre-amps. Anyway, both brands are solid but definitely dont sleep on the newer Sennheiser models for better vocal clarity!!!

Bump - same question here